Earl King - New Orleans Blues

Recorded at Sea-Saint Studios in 1972 with Allen Toussaint producing and the Meters also on board, New Orleans Blues is somewhat of a lost album for Crescent City singer and guitarist Earl King. The project was originally supposed to be released on Atlantic Records but never materialized, and only the wonderfully ragged and funky “Street Parade” officially saw the light of day as a single on Toussaint’s Kansu label. It’s a shame the album never appeared, because the combination of King and Toussaint is pure dynamite, with Toussaint’s trademark horn charts pulling the best from King’s expressive voice and elegant guitar work. Track after track is marvelous, stopping just short of funk and absolutely dripping with New Orleans soul. King revisits two of his older hits, “A Mother’s Love,” which he originally recorded for Specialty Records in 1954, and “Mama and Papa,” which he cut in 1962 for Imperial Records, and in both cases the songs are recast and redefined by Toussaint’s sympathetic, atmospheric production. “Fallin’” has an impressive emotional balance, while the odd “Medieval Days” shows King could handle complicated narrative material with ease, although he is at his best on powerfully soulful ballads like “You Make Me Feel Good,” the closing track here. Given the history of these sessions, it is remarkable to hear how well it all fits together, and it is difficult to imagine why Atlantic didn’t release it at the time. King never sounded better than he did at these sessions, and that’s saying something.
By Steve Leggett, All Music Guide.
**
01. Mother’s Love  (2:43)
02. Part of Me  (2:57)
03. Am I Your Dog  (3:34)
04. Fallin’  (3:23)
05. I’m Gonna Keep on Trying  (3:54)
06. Love Look Out for Me  (3:31)
07. Mama & Papa  (3:05)
08. Medieval Days  (2:49)
09. Some People  (4:28)
10. Street Parade  (3:15)
11. Do the Grind  (2:37)
12. Real McCoy  (2:40)
13. Up on the Hill  (2:57)
14. This Is What I Call Living  (3:26)
15. You Make Me Feel Good  (3:26)

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JOHN COLTRANE: Coltrane Plays The Blues

The recordings here come from the same October 1960 sessions that produced My Favorite Things, and while the all-blues album is far less famous, it's an equivalent document of John Coltrane's work in his earliest recordings of the quartet with drummer Elvin Jones and pianist McCoy Tyner. The all-blues format emphasizes Coltrane's personal relationship to the form, both his emotional depth and his capacity for harmonic extension on essentially modal materials. His soprano on "Blues to Bechet" is a summoning up of the blues form's original power, also apparent in the slow and moving "Blues to Elvin." "Blues to You," played with just Jones and bassist Steve Davis, is a hot coil of sound, Coltrane's convoluted lines twisting into new shapes while he and Jones catch every possible nuance of the beat. "Mr. Knight" would later turn into "India," but it's already a floating modal figure for his tenor. This edition includes the alternate takes previously available only in the box set The Heavyweight Champion.

Tracklist:


1. Blues to Elvin
2. Blues to Bechet
3. Blues to You
4. Mr. Day
5. Mr. Syms
6. Mr. Knight
7. Untitled Original (exotica)
8. Blues to Elvin (alternate take 1)
9. Blues to Elvin (alternate take 2)
10. Blues to You (alternate take 1)
11. Blues to You (alternate take 2)

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Jimmy Page, Eric Clapton and Jeff Beck - Guitar Boogie

Guitar Boogie is a compilation blues album with Eric Clapton, Jeff Beck and Jimmy Page, with additional credit to The Allstars. Most songs on this album were written by Eric Clapton, Jeff Beck or Jimmy Page. Guitar Boogie was released as a part of a British Archives series and is rare in that form. The album was re-released in the US in 1977 by Pickwick Records. Only two of the guitarists appear on any given track. Jeff Beck does not appear on any of the Page/Clapton numbers. Similarly, Clapton doesn't appear on the Allstars tracks. 
Jeff Beck's two tracks were recorded in 1963 and can be found on several different compilations.



This album was compiled by Richard Robinson.


The 1971 release contains a piece by rock critic Richard Meltzer on the back cover.


Side 1


   1. "Choker" (1:21) - Eric Clapton with Jimmy Page
   2. "Snake Drive" (2:30) - Eric Clapton
   3. "Draggin' My Tail" (3:56) - Eric Clapton with Jimmy Page
   4. "Steelin'" (2:33) - The Allstars featuring Jeff Beck
   5. "Freight Loader" (2:43) - Eric Clapton with Jimmy Page


Side 2


   1. "West Coast Idea" (2:15) - Eric Clapton
   2. "L.A. Breakdown" (2:02) - The Allstars featuring Jimmy Page
   3. "Down in the Boots" (3:22) - The Allstars featuring Jimmy Page
   4. "Chuckles" (2:20) - The Allstars featuring Jeff Beck
   5. "Tribute to Elmore" (2:05) - Eric Clapton




Robben Ford - Discovering The Blues

This powerhouse set of live recordings from early in Robben Ford's distinguished career boasts solo-laden 10-minute-plus versions of B.B. King's "Sweet Sixteen" and John Lee Hooker's "It's My Own Fault." Ford, who has worked with Joni Mitchell, Miles Davis, and George Harrison, plays surprisingly sweet, agile saxophone on Don Raye's jazz ballad "You Don't Know What Love Is." His voice--if still that of a very young man--is throaty and melodic on the King and Hooker cuts. But it's his guitar that takes centerstage. Owing heaps to electric bluesmen B.B., Otis Rush, Buddy Guy, Albert King, and Mike Bloomfield, Ford's rich tone, deliberate lines, and tuneful bends were world-class even in 1972.

 Tracklist:
1- Sweet sixteen
2- You drive a hard bargain
3- Is my own fault
4- You don`t know what love is
5- My time after a while
6- Raining in my heart 

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Sonny Terry, Jhony Winter and Willie Dixon - Whoopin (1984)

Johnny Winter applied his deft touch to this outstanding recording with Sonny Terry and Willie Dixon. As with the four brilliant Blues Sky recordings he produced for Muddy Waters this set is a killer. Winter's playing is always at it's best when he is in the presence of a Blues Master. He is more restrained and supportive, less invested in overwhelming the music as he is in supporting the artist. Sonny is in top form. It's hard to imagine he was near the end of the road at the time of this effort. His was a remarkably vital and inspired performance. This is a modern-era classic of the blues, at a time that the blues was gasping it's last authentic breath. Essential...

Tracklist:
01 - I Got My Eyes On You
02 - Sonny's Whoopin' The Doop
03 - Burnt Child
04 - Whoee, Whoee
05 - Crow Jane
06 - So Tough With Me
07 - Whoo Wee Baby
08 - I Think I Got The Blues
09 - Ya, Ya
10 - Roll Me Baby


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BUDDY GUY & JUNIOR WELLS: Drinkin' TNT 'n' Smokin' Dynamite

Chicago bluesmasters Buddy Guy and Junior Wells had been seasoned veterans for decades by the time this 1994 live album was recorded, which explains the seemingly effortless level of searing intensity that comes across on the set. DRINKIN' TNT N' SMOKIN' DYNAMITE finds the longtime collaborators tearing up the stage with a repertoire of Wells's tunes, including "Checking On My Baby," "Ten Years Ago," and "Hoodoo Man Blues." Guy's sizzling six-string antics are the perfect complement to Wells's harp playing and hard-hitting vocal style. With a band that includes pianist Pinetop Perkins and the Rolling Stones' Bill Wyman on bass, it's hard to pass up this this blast of classic Chicago blues.

Recorded live at The Montreux Jazz Festival, Montreux, Switzerland on June 28, 1974. Includes liner notes by Peter Shertser.

Personnel: Buddy Guy (vocals, guitar); Junior Wells (vocals, harmonica); Terry Taylor (vocals); Pinetop Perkins (piano); Bill Wyman (bass guitar); Dallas Taylor (drums).

Audio Mixers: Paul Lipson; Paul Libson; Bill Wyman.

Liner Note Author: Peter Shertser.

Recording information: Montreux Jazz Festival, Switzerland (06/28/1974).

Personnel: Buddy Guy (vocals, guitar); Junior Wells (vocals, harmonica); Terry Taylor (guitar); Pinetop Perkins (piano); Dallas Taylor (drums).

Track Listing
1. Introduction
2. Ah'w Baby/Everything Gonna Be Alright
3. How Can One Woman Treat a Man So Mean?
4. Checking on My Baby
5. When You See the Tears from My Eyes
6. Introduction
7. Ten Years Ago
8. Messin' with the Kid
9. Hoodoo Man Blues
10. My Younger Days 

John Lee HOOKER – Speciality Profiles, John Lee Hooker 2006

In celebration of its 60th anniversary, Specialty Records presents this exciting new CD series of specially priced African-American blues and gospel.
Each CD also contains a special full-length bonus disc featuring: Roy Milton & His Solid Senders – R.M. Blues, Joe Liggins & The Honeydrippers – Pink Champagne, Percy Mayfield – Please Send Me Someone To Love, Lloyd Price – Lawdy Miss Clawdy, Jesse & Marvin – Dream Girl, Guitar Slim – The Things That I Used to Do, Little Richard – Long Tall Sally, Sam Cooke – I’ll Come Running Back to You, Don & Dewey – Leavin’ It All Up to You, Larry Williams – Dizzy, Miss Lizzy
**
John Lee Hooker’s brief association with the Specialty label doesn’t immediately come to mind as do his recordings for, say, Modern, Chess, Vee Jay, or ABC/Bluesway. In 1954 the founder of Los Angeles-based Specialty Records, Art Rupe, bought 35 Hooker tunes, several of which had been cut in Detroit four years earlier. Rupe issued one single to test the market: “I’m Mad” backed with “Everybody’s Blues.” The record sales were disappointing and the tapes remained in the can until surfacing in 1970. Like so many John Lee Hooker compositions, over the years these songs were re-recorded, sometimes with different titles, and then slapped on one of the many albums released by a mixed bag of labels. However, these 14 tracks represent a composite of those raw early sides, featuring both solo Hooker (with his guitar and stompin’ foot) and fronting a raucous juke joint combo. As an extra bonus, the Specialty Profiles series includes a sampler that showcases R&B gems by Specialty acts of the era, including Little Richard, Sam Cooke, Larry Williams, Roy Milton, Lloyd Price, Percy Mayfield, Don & Dewey, Joe Liggins, Jesse & Marvin, and Guitar Slim.
By Al Campbell, All Music Guide.
**
John Lee Hooker- (Guitar),(Vocals),
Eddie “Guitar” Burns- (Harmonica),
John Hooks- (Tenor Sax),
Theophilus Roosevelt- (Bass),
Thomas Whitehead- (Drums),
John Griffith- (Piano).
**
Disc 2:

01. Boogie Chillen #2 John Lee Hooker 2:47
02. I’m Mad John Lee Hooker 2:48
03. Everybody’s Blues John Lee Hooker 2:51
04. Burnin’ Hell John Lee Hooker 2:43
05. Three Long Years Today John Lee Hooker 2:56
06. Goin’ Down Highway 51 John Lee Hooker 2:31
07. My Baby’s Got Something John Lee Hooker 2:50
08. I Need Lovin’ John Lee Hooker 2:57
09. Grinder Man John Lee Hooker 3:13
10. No More Doggin’ aka No More Foolin’ John Lee Hooker 2:29
11. I Need Love So Bad John Lee Hooker 3:11
12. Huckle Up Baby John Lee Hooker 2:49
13. Nothin’ But Trouble (Don’t Take Your Wife’s Family In) John Lee Hooker 3:25
14. Odds Against Me aka Backbiters And Syndicators John Lee Hooker 3:07

Disc 2:

01. R.M. Blues Roy Milton & His Solid Senders 2:59
02. Pink Champagne Joe Liggins 3:02
03. Please Send Me Someone To Love Percy Mayfield 2:55
04. Lawdy Miss Clawdy Lloyd Price 2:33
05. Dream Girl Jesse Belvin 3:14
06. The Things That I Used To Do Guitar Slim 3:03
07. Long Tall Sally Little Richard 2:11
08. I’ll Come Running Back To You Sam Cooke 2:09
09. Leavin’ It All Up To You Don & Dewey 2:11
10. Dizzy Miss Lizzy Larry Williams 2:11

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CD 1
CD 2

Stevie Ray Vaughan - The Sky Is Crying

THE SKY IS CRYING is a collection of 10 previously unreleased studio tracks compiled by Stevie Ray's brother Jimmie Vaughan.

Master Sound releases are 24-karat gold CDs remastered from first generation masters. This process utilizes 20-bit technology and Sony's "Super Bit Mapping" system.

Vaughan's death in August 1990 brought to a tragic end the surging wave of his popularity. The album he had made with his brother Jimmie, FAMILY STYLE, had just been released and this album, prepared by Jimmie from the various album sessions, was not expected to amount to much. In fact, this was at least as good as any of them--and better than LIVE ALIVE. "Little Wing" was perhaps his best adaptation of a Jimi Hendrix song. His take on the Elmore James title song was also a fitting tribute to both the writer and the performer. There are bound to be further compilations and live recordings released, but these studio recordings are testimony to Stevie Ray's devotion to his craft.

Recorded at The Power Station, New York, New York in January and February, 1984; The Dallas Sound Lab, Dallas, Texas in March and May, 1985; Kiva Studios, Memphis, Tennessee in February and April, 1989; Sound Castle Studios, Los Angeles, California in April and May, 1989.

Recorded at The Power Station, New York, New York from January to February 1984; The Dallas Sound Lab, Dallas, Texas from March to May 1985; Kiva Studios, Memphis, Tennessee from February to April 1989; Sound Castle Studios, Los Angeles, California from April to May 1989. Includes liner notes by Dan Forte.

Personnel: Stevie Ray Vaughan (guitar, vocals); Reese Wynans (keyboards); Tommy Shannon (bass); Chris Layton (drums).

Tracklist:

Tracks:
1. "Boot Hill" (Writer Unknown) – 2:15
2. "The Sky Is Crying" (Elmore James, M. Levy, Clarence Lewis) – 4:36
3. "Empty Arms" (S. R. Vaughan) – 3:29
4. "Little Wing" (Jimi Hendrix) – 6:49
5. "Wham" (Lonnie Mack) – 2:25
6. "May I Have A Talk With You" (C. Burnett (Howlin' Wolf)) – 5:49
7. "Close To You" (Willie Dixon) – 3:10
8. "Chitlins Con Carne" (Kenny Burrell) – 3:57
9. "So Excited" (S. R. Vaughan) – 3:30
10. "Life By The Drop" (Doyle Bramhall, Barbara Logan) – 2:28

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JOHN LEE HOOKER: The Realk Folk Blues/More Real Folk Blues

Originally released on Chess Records. Includes liner notes by Chris Morris and Ralph Bass.

For these two albums, recorded in the mid-'60s, the "real folk" appellation is not quite accurate. The title was also applied to contemporaneous releases by Howlin' Wolf, Sonny Boy Williamson, and Muddy Waters as a Chess Records marketing ploy. These 18 songs are electric and blistering, edgy like a coiled snake. When Hooker slips into his ferocious howl--as he does on "Stella Mae"--it can make the hairs on your neck stand up. He can also keep a slow pace simmering with relentless fire. Hooker's idiosyncratic phrasing and tempos made him most effective as a solo act during the early years of his career. For these sessions producer Ralph Bass successfully matched players to Hooker's quirky sensibility, the grooves all perfectly meshing into one organic rhythm contraption.

2 Cds On 1.Remastered & Revis- Ited.Replaces #9271,9329 Chess

All tracks have been digitally remastered.

2 LPs on 1 CD: THE REAL FOLK BLUES/MORE REAL FOLK BLUES (1966).

Personnel includes: John Lee Hooker (vocals); Eddie Burns (guitar); Lafayette Leake (keyboards); Fred Below (drums); Leroy Stewart, Jack Meyer, Phil Upchurch.

Liner Note Author: Ralph Bass.Down Beat (June 2002, p.60) - 3 out of 5 stars - "...Contain[s] moments of stark intensity, when his vocals fuse sensually with guitar on 'move and groove' or flow-like-molasses rhythms that cast spells..."

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Part 1
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VA: Blues Guitar Duels

Blues Guitar Duels is a pretty darn good compilation of excellent guitarist who have performed together on various recordings over the years. For example you get Buddy and Phil Guy performing one of the tracks from their joint CD, "DJ Play My Blues", Hubert Sumlin performing with Ronnie Earl on a cut from "Hubert Sumlin's Blues Party", Ronnie Earl and Duke Robillard on a track from the CD "Test of Time" and Guitar Shorty and Otis Grand from the CD "My Way On The Highway". One can certainly quibble over whether there are other tracks that could have been included on this disc or whether the tracks selected are the best from each duo but it would be a pointless debate. The facts are you get a very nice sampling of what these individuals have to offer and all for a bargain basement price. Check it out and then either explore these artists further.

Track Listing
1. Girl You're Nice and Clean (Buddy Guy & Phil Guy)
2. West Side Soul (Hubert Sumlin' Blues party feat. Ronnie Earl)
3. Corn Palace (Smokin' Joe Kubek band feat. Bnois King)
4. You're Fine (Mike Morgan & Jim Suhler)
5. She's Gone (Phillip Walker & Otis Grand)
6. Backstroke (Ronnie Earl & Duke Robillard)
7. Full Gain (Grady Gaines & The Texas Upsetters feat. Roy Gaines and Clarence Hollimon)
8. The Wasp (Joe Coronado & The Texas Beat with Mark Pollock & Ray Jimenez)
9. Kick Out (Guitar Shorty & Otis Grand)
10. You Got to Help Me (Hubert Sumlin' & Richard Studholme)

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Freddie King - My Feeling For The Blues

Personnel: Freddie King (vocals, guitar); Cornell Dupree (guitar); Hugh McCracken (harmonica, tenor saxophone); Willie Bridges, Trevor Lawrence (saxophone, tenor saxophone, baritone saxophone); Frank Wess, George Coleman (saxophone, tenor saxophone); King Curtis (tenor saxophone); Ernie Royal, Martin Banks (trumpet); George Stubbs (piano); Jerry Jemmott (bass guitar); Kenneth "Spider Webb" Rice, Kenneth Rich (drums).Audio Remasterer: Joe Reagoso.Liner Note Author: Jim Delehant.Recording information: Atlantic Recording Studios, New York, NY.Authors: Freddie King; Johnny Winter.Arrangers: Donny Hathaway; King Curtis.Blues guitar giant Freddie King became a star in the early 1960s with tunes like "Hideaway" on the King label (no relation), but this 1969 album marks his move to Atlantic, where he updated his sound just a little. The King Curtis-produced set employs heavyweight NYC session cats and adds a very slight tinge of contemporary rock tonality (the occasional wah-wah guitar and electric piano) and funk rhythm to King's classic blues sound, lending a fresh feeling to the likes of Willie Dixon's "I Don't Know" and Ray Charles's "What'd I Say."

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Keith Richards - Talk Is Cheap (1988)

Keith's 1st solo output, "Talk Is Cheap," was a pretty solid effort throughout.  Granted, there are times when Keith's burnt-out-husk sounding voice are a bit challenging (and distracting) to listen to, but overall this was a very strong effort.  In fact, it was much better than either of Jagger's solo albums in the 80s.  
Songs like "Struggle," "Take it So Hard," "Whip it Up," and "Rockawhile" were classic Keith, and the Chuck Berry sounding "Could Have Stood You Up" is pleasing.  "Make No Mistake" and "Locked Away" are excellent ballads, and "How I Wish" is another pleasant track.  Since this was recorded during the highly publicized Jagger-Richards feud, Keith got in a body blow to Mick with the much-talked about "You Don't Move Me Anymore."  

A very good album, definitely better than some of the Stones' material of that time period.

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John Mayall - The Godfather of British Blues / The Turning Point - 2004

"The Godfater of British Blues" features contributions from Mayall, his family, fellow musicians, colleagues, and friends in interviews and performances. Rare archive film from all periods of his life marks his achievements and some of the events that formed them. "The Turning Point" is the earliest rockumentary of Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls, and at festivals. In 1969, Mayall was changing the emphasis of his band away from the "electric circus" of lead guitar and drums to a more gentler approach without drums and acoustic guitar, flutes, and saxophones.
This release offers a candid portrait of John Mayall, combining archival material with tour footage and concert performances. Mayall's music has provided a major source of inspiration for many artists, including Fleetwood Mac and Eric Clapton. Charting the ever-evolving blues style that Mayall is constantly honing and perfecting, this is a great way to experience the man behind the music.
In Roles:

John Mayall
Eric Clapton
Bluesbreakers
Peter Green and many others

The Godfather of British Blues:

1. The Blueprint for the Bluesbreakers
2. Eric Clapton Plays Credit
3. The Early Years
4. John Turns Professional
5. Eric Clapton Joins the Bluesbreakers
6. Replacing Clapton
7. Bluesbreakers Old and new
8. "Bare Wires" & Jazz Influence
9. John Moves to America
10. Highs & Lows
11. Preparation fot the 70th Birthday Concert
12. The Godfather at Work

The Turning Point:

1. Opening Credits
2. Begin a Bluesbreaker
3. The Turning Point
4. On the Road
5. John McVie & peter Green
6. Aynsley Dunbar
7. "Thought About Roxanne"
8. Bath Festival of Blues
9. Peter Green & Eric Clapton
10. "California"

John Mayall - The Godfather of British Blues / The Turning Point - 2004
2004 | Blues/Blues-Rock/Documentary | DVD Video | DVD-5 | ~4.28 Gb | RS.com + HF.com
MPEG2 NTSC 16:9 (720x480) VBR Auto Pan&Scan | English (Dolby AC3, 2 ch)
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Before The Blues: The Early American Black Music Scene Vol 3

This final volume in an indispensable series collects work by better-known artists like Memphis Minnie and Mississippi John Hurt as well as more obscure geniuses like Henry Thomas and Texas Alexander. What stands out is the amazingly consistent level of quality of the recordings. While some preservation efforts such as this might fill spaces with padding, all the music here is heartbreakingly beautiful.



Tracklist
01 - Memphis Minnie - Frisco Town
02 - Mississippi John Hurt - Spike Driver's Blues
03 - Cannon's Jug Stompers - Feather Bed
04 - Henry Thomas - Fox and the Hounds
05 - Buster Carter & Preston Young - A Lazy Farmer Boy
06 - Luke Jordan - Pick Poor Robin Clean
07 - Bobby Grant - Nappy Head Blues
08 - Taylor's Kentucky Boys - Sourwood Mountain
09 - Texas Alexander - Levee Camp Moan Blues
10 - Evans & McClain - John Henry Blues
11 - Biddleville Quintette - Coming to Christ
12 - Clarence Ashley - House Carpenter
13 - Lil McClintock - Furniture Man
14 - Cow Cow Davenport - Alabama Strut
15 - Furry Lewis - Kassie Jones (Part 1)
16 - Blind Boy Fuller - Thousend Woman Blues
17 - Blind Blake - Champaign Charlie Is My Name
18 - Moses Mason - Molly Man
19 - Frank Stokes - Chicken You Can Roost Behind The Moon
20 - John Hammond - Little Birdie
21 - Barbecue Bob - Black Skunk Blues
22 - Coley Jones - Drunkard's Special
23 - Blue Boys - Easy Winner

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Before The Blues: The Early American Black Music Scene Vol 2

The title of this compilation, Before the Blues, may be a deceiving one, particularly as it comes from Yazoo Records, a label that specializes in the earliest music of the genre. While the performances here date back to the first commercial recordings (made during the mid-'20s), the blues, as a musical form, was probably born a good 20 years earlier, at the turn of the century.
Maintaining a looser format than many of their compilations, Before the Blues follows the music from the juke joint on a Saturday night to church the next morning. Included are tracks from some of the most popular musicians of the period (Charlie Patton, Blind Lemon Jefferson, the Memphis Jug Band, and Frank Stokes), as well as curios from little-known performers. At one end of the spectrum, there is the raw, earthy mountain music of Frank Jenkins' "Roving Cowboy," the violin and vocal performance that closes the collection. At the other is Tommy McClennan's "Deep Sea Blues," the song Muddy Waters and Jimi Hendrix (among many others) would record as "Catfish Blues." Though his performance is loose, McClennan's guitar sounds ripe for urban electrification.
In the process of migrating to the city, the music witnessed the extinction of rural string combos like the Memphis Jug Band. "K.C. Moan" is an example of the type of material they recorded before the pressure to adapt brought jazz influences into their music. By the 1940s, the commercial heyday of this music had come and gone. Never again would companies seek out recordings like "Cold Morning Shout" (an otherworldly blend of fiddle, banjo, and guitar by the Southside Trio) or the deep gospel of slide guitar master Blind Willie Johnson. Thanks to Yazoo, the music has been preserved with the best possible fidelity. As always, songs have been arranged according to listenability. Boundaries of style and chronology are ignored, with the gaps filled in by extensive liner notes.

Tracklist

01 - Dallas String Band - Dallas Rag
02 - Frank Stokes - How Long
03 - Peg Leg Howell - Skin Game Blues
04 - Memphis Jug Band - K. C. Moan
05 - Charley Jordan - Just A Spoonful
06 - Hattie Hudson - Doggone My Good Luck Soul
07 - Eck Robertson - There's A Brown Skin Girl Down The Road Somewhere
08 - Lulu Jackson - You're Going To Leave The Old Home Jim!
09 - Tommy McClennan - Deep Blue Sea Blues
10 - South Street Trio - Cold Morning Shout
11 - Blind Joe Taggart - Been Listening All The Day
12 - Charley Patton - Mississippi Bo Weavil Blues
13 - Golden P. Harris - I'll Lead A Christian Life
14 - Minnie Wallace - The Old Folks Started It
15 - Tennessee Chocolate Drops - Vine Street Drag
16 - Blind Willie Johnson - It's Nobody's Fault But Mine
17 - Geeshie Wiley - Last Kind Words Blues
18 - Roland & Scott - Guitar Stomp
19 - Blind Lemon Jefferson - Jack O'Diamond Blues
20 - Emry Arthur - Reuben Oh Reuben
21 - Blue Boys - Memphis Stomp
22 - Louise Johnson - On The Wall
23 - Frank Jenkins - Roving Cowboy

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Before The Blues: The Early American Black Music Scene Vol 1

Disk 1 of this set is probably only fascinating to folks who follow the blues back to it's roots in early American rural folk music (and the classic "field holler" or "work chant" tradition.) It was only after emancipation that blacks were free to gather at dances and juke joints (except in Louisiana, where music and social gatherings were traditionally allowed). Musicians were free to travel and the blues began to develop.
 Although the blues is the most renowned form of early 20th century African-American music (other than jazz), it didn't dominate rural Black music to the extent that many listeners often assume. Black and White folk musics mingled extensively before the advent of recorded technology, and Black musicians often performed gospel, religious hymns, folk ballads, and fiddle tunes as well as what we now recognize as the blues. This compilation does a good job of illustrating the diverse ancestry of African-American music with 23 rare sides from the 1920s and 1930s, when records and mass media had yet to fully introduce elements that would standardize musical genres and approaches to some degree. Some of these performers would indeed become classified as blues artists (Mississippi John Hurt, Robert Wilkins, Henry Thomas). But most of these tracks are not explicitly rooted in blues forms, examples being B.F. Shelton's banjo ballad interpretation of "Pretty Polly," Taylor's Kentucky Boys' fiddle breakdown version of "Forked Deer," or the Seventh Day Adventist Choir's "On Jordan's Stormy Banks We Stand."
Remastered from old 78s, this may be of more educational than entertainment value to most modern listeners, but it's well done, with extensive liner notes explaining the various forms of Black music preserved on the disc.

Tracklist

1. Bamalong Blues Andrew & Jim Baxter 3:10
2. Run Mollie Run Henry Thomas 2:53
3. Lonesome Road Blues Sam Collins 3:05
4. Jackson Stomp Mississippi Mud Steppers 3:10
5. On Jordan's Stormy Banks We Stand Seventh Day Adventists Choir 2:37
6. Mississippi Jail House Groan Rube Lacy 3:22
7. Forked Deer Taylor'S Kentucky Boys 2:44
8. Bye Bye Baby Blues Little Hat Jones 3:07
9. Pretty Polly B.F. Shelton 4:25
10. Soft Steel Piston Weaver & Beasley 3:04
11. Two White Horses In A Line Evans & McClain 2:51
12. Jamestown Exhibition Bayless Rose 2:46
13. Dupree Blues Willie Walker 3:30
14. France Blues Papa Harvey Hull 3:01
15. Dying Mother And Her Child Rev. Gates & Congregation 3:42
16. John Hardy Buell Kazee 3:04
17. Wayward Girl Blues Lottie Kimbrough 2:53
18. Newport Blues Cincinnati Jug Band 2:57
19. Tom Sherman's Barroom Dick Devall 2:40
20. Stack O' Lee Blues Mississippi John Hurt 2:57
21. Lawdy Lawdy Worried Blues Teddy Darby 3:07
22. I'll Go With Her Blues Robert Wilkins 3:06
23. Christian Soldier Denson Quartet 2:47

CD 1
CD 2
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B.B. King - Blues On The Bayou

Blues On The Bayou. Taking his hard-working road band into a remote Louisiana studio, King and crew recorded Blues On The Bayou in a mere four days. A fifteen-song collection of old and new tunes written or co-written by King, the album was done live in the studio, offering no overdubs or production wizardry, just plain music. King debuts as a producer here for the first time, and the result is as tasteful treatment of the blues as you’ll find.
At the heart of every song is King’s masterful six-string work. A maestro on the guitar, King’s fluid playing style and the unique tone he coaxes out of "Lucille" sounds more jazzy than bluesy. Throw in King’s growling, soulful vocals on songs like "Broken Promise" or "I Got Some Outside Help I Don’t Need" and you’ll find the traditional wellspring from which King draws his blues.
The backing band, which has literally played hundreds of shows with King, support the songs in an understated manner, respectfully allowing King and his amazing guitar to dominate the proceedings.

Track list:
1. Blues Boys Tune
2. Bad Case of Love
3. I'll Survive
4. Mean Ole' World
5. Blues Man
6. Broken Promise
7. Darlin' You Know I Love You
8. Shake It Up and Go
9. Blues We Like
10. Good Man Gone Bad
11. If I Lost You
12. Tell Me Baby
13. I Got Some Help I Don't Need
14. Blues in G
15. If That Ain't It I Quit

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John Mayall and Sonny Boy Williamson - Trans Atlantic Blues-2CD-(2010)

Aleck "Rice" Miller (died May 25, 1965) was an American blues harmonica player, singer and songwriter. He was also known as Sonny Boy Williamson II, Willie Williamson, Willie Miller, Little Boy Blue, The Goat and Footsie. John Mayall was born 29th of November 1933 in Macclesfield, an English town near the industrial hub of Manchester--a far cry at that time from the black American blues culture we are familiar with today. The eldest of three from humble working class origins, and in the shadow of WWII, this skinny English lad grew up listening to his guitarist father's extensive jazz record collection and felt drawn to the blues. Strongly influenced by such greats as Leadbelly, Albert Ammons, Pinetop Smith, and Eddie Lang, from the age of 13 he taught himself to play and develop his own style with the aid of a neighbor's piano, borrowed guitars, and secondhand harmonicas.

John Mayall and Sonny Boy Williamson - Trans Atlantic Blues-2CD-(2010)
MP3 | VBR,~200kbps | Fuel | cd1: 72:41 cd2: 47:36 | 155 mb
Genre: Jazz

Tracklist:

Disc: 1
1. Room to Move - John Mayall
2. It Ain't Right - John Mayall
3. Wild About You - John Mayall
4. I Ain't Got You - John Mayall
5. All Your Love - John Mayall
6. Racehorse Man - John Mayall
7. Help Me - John Mayall
8. Ridin' on the L & N - John Mayall
9. Cold Blooded Woman - John Mayall
10. Dirty Dozen - John Mayall

Disc: 2

1. Fattenin' Frogs for Snakes - Sonny Boy Williamson
2. Bye Bye Bird - Sonny Boy Williamson
3. Easy Baby - Sonny Boy Williamson
4. Highway 69 - Sonny Boy Williamson
5. Pontiac Blues - Sonny Boy Williamson
6. My Babe - Sonny Boy Williamson
7. I'm Gonna Put You Down - Sonny Boy Williamson
8. Little Girl - Sonny Boy Williamson
9. Down and out Blues - Sonny Boy Williamson
10. Baby, Please Come Back Home [#][Version] - Sonny Boy Williamson

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CD 1
CD 2

Raw Sienna - Savoy Brown

Savoy Brown is a British blues band formed in the 1960s, originally known as the Savoy Brown Blues Band. Their 1969 single, Train to Nowhere (with singer Chris Youlden), was viewed by many as the last gasp of the blues scene in Great Britain. Although Savoy Brown never reached much acclaim in their home nation, they developed a loyal core following in the United States. In the 1960s and 1970s, the band managed to penetrate the Billboard Hot 100. Superstardom perpetually evaded them, perhaps in part because of their frequent lineup changes. Indeed, while the band is still active today, only one founding member, Kim Simmonds, has been with the band since the beginning. Guitarist “Lonesome” Dave Peverett, bassist Tony Stevens, and drummer Roger Earl went on to form Foghat. Original member and harmonica player John O’Leary is still active on the British blues circuit with The John O’Leary Band. Savoy Brown’s first album, Shake Down, featured lead vocalist Bryce Portius. Portius was one of the first black blues musicians to be a part of a British rock band. Another singer, Dave Walker, would later join Fleetwood Mac and Black Sabbath.


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Mississippi Fred McDowell - I Don't Play No Rock 'n' Roll

Another one for The Man in Haarlem .....

Fred McDowell
I Do Not Play No Rock 'N' Roll: The Complete Sessions
Two Discs
2006
FLAC


"And I do not play no rock 'n' roll, y'all, I just play the straight, natcha blues. And whenever you get somebody, you know, wants to plow for ya, you just call for Fred McDowell. I was raised on the farm, you understand. Now, the only way you can rock Fred you just put him in a rocking chair, just lay me down, you understand. That's my type of rockin'. And my type of blues, I play with a bottleneck. I first got this style from a beef bone, you understand. The rib would come out of a steak." - Mississippi Fred McDowell

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Disc One

1. Baby Please Don't Go (Digitally Remastered 1995)
2. Good Morning Little School Girl (Digitally Remastered 1995)
3. Kokomo Me Baby (Digitally Remastered 1995)
4. That's All Right Baby (Digitally Remastered 1995)
5. Red Cross Store (Digitally Remastered 1995)
6. Everybody's Down On Me (Digitally Remastered 1995)
7. 61 Highway (Digitally Remastered 1995)
8. Glory Hallelujah (Digitally Remastered 1995)
9. Jesus Is On The Mainline (Digitally Remastered 1995)
10. Someday

Disc Two

1. Write Me A Few Of Your Lines
2. Mortgage On My Soul
3. Baby Let Me Lay Down (In Your Cool Iron Bed)
4. Drop Down Mama
5. Rap/Louise
6. Somebody Keeps Callin' Me
7. Eyes Like An Eagle
8. My Baby She Gonna Jump And Shout (Digitally Remastered 1995)
9. Long Line Skinner (Digitally Remastered 1995)
10. Baby Please Don't Go (Alternate)

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The Paul Butterfield Blues Band

Paul Butterfield (December 17, 1942 – May 4, 1987) was an American blues vocalist, harmonica player who gained international recognition in part, as one of the early acts performing during the Summer of Love, in Woodstock, New York. Having formed the Paul Butterfield Blues Band, Butterfield and his band continued to perform with hit songs along with the release of their eponymous debut album, The Paul Butterfield Blues Band, they released hit songs, as with "Born In Chicago".

The son of a lawyer, Paul Butterfield was born and raised in Chicago's Hyde Park neighborhood. After studying classical flute as a teenager, he developed a love for the blues harmonica, and hooked up with white, blues-loving, University of Chicago physics student Elvin Bishop (later of "Fooled Around and Fell In Love" fame). The pair started hanging around black blues musicians such as Muddy Waters, Howlin' Wolf, and Junior Wells. Butterfield and Bishop soon formed a band with Jerome Arnold and Sam Lay (both of Howlin' Wolf's band). In 1963, a watershed event in introducing blues to a white audience in Chicago occurred when this racially mixed ensemble was made the house band at Big John's, a folk music club in the Old Town district on Chicago's north side. Butterfield was still underage (as was guitarist Mike Bloomfield, who was already working there in his own band).
The Paul Butterfield Blues Band was signed to Elektra Records after adding Bloomfield as lead guitarist. Their original debut album was scrapped, then re-recorded after the addition of organist Mark Naftalin. Some of the discarded tracks may have appeared on the "What's Shakin'" LP shared with the Lovin' Spoonful. Finally, their self-titled debut, The Paul Butterfield Blues Band, was released in 1965. Paul Butterfield died in his home in North Hollywood, California, in May 1987 from a heart attack brought on by years of drug addiction and alcoholism, just one week after his final concert.

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Martin Scorsese Presents the Blues - Feels Like Going Home (2003)

Feels Like Going Home attempts to tell the story by tracing the blues back through the Mississippi Delta and back in Africa. Blues player Cory Harris takes us from the Mississippi Delta to the African country of Mali to detail how the blues were influenced culturally by the people of Mali and the suffering engendered by slavery which forever separated families on their shores.

This DVD also has some excellent historical footage never before seen by me, including that of Son House explaining why he quit playing the blues around 1942 after the field recordings Alan Lomax made in Mississippi. Son House stopped playing after some of his contemporaries started dying (Charlie Patton, Robert Johnson), and he actually thought he would be next to die! I was surprised to hear him say this, but he honestly believed that, and as such, moved to New York state. Until some blues enthusiasts found him in the mid 60's, many had no idea where he was....some even claimed to have seen him in movie theaters in Alabama. This was the first time I had ever heard Son House explain why he gave up music for two decades.

A criticism: Much more time could have been spent on the history of the early blues in the United States. The rare footage was wonderful to see, as were the interviews with legends such as Johnny Shines, because he had first-hand knowledge of Robert Johnson and that era. But once Cory Harris goes back to Mali, very little is offered by way of a direct and tangible nexus linking the two. In fact, too much time is spent introducing Cory Harris to various tribesman, their families, and then they even highlight the welcoming ceremony of guns for Cory Harris....I thought this was supposed to be a DVD about the history of the blues! The first 45 minutes were very interesting, but the latter half left much to be desired.

DVDRip | 656x368 | AVI | XVID 1321 kbps | 25 fps | Aspect ratio: 16:9 | Audio: MP3 256 kpbs @ 48 KHz | 1.15 GB
Actors: Marcia Ball, Chris Barber (II), Chester Burnett, Clint Eastwood, Chris Farlowe
Directors: Clint Eastwood, Charles Burnett, Mike Figgis, Marc Levin, Richard Pearce
Studio: Sony | Run Time: 110 minutes
DVD Release Date: May 4, 2004.

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Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
Part 8
Part 9
Part 10
Part 11
Part 12

B B King & Eric Clapton - Riding With The King

Riding with the King is a blues album by Eric Clapton and B. B. King released in 2000. The idea for a collaborative album began during the sessions for King's 1997 album Deuces Wild.

The album contains B. B. King classics like "Three O'Clock Blues", "Days of Old", and "Help the Poor" from Live at the Regal. Other tracks include the Big Bill Broonzy-penned "Key to the Highway", Chicago pianist Maceo Merriweather's "Worried Life Blues" and a cover of Isaac Hayes's composition "Hold On, I'm Comin'" originally a 1966 single for Stax Records artists Sam & Dave.

Riding with the King won the 2001 Grammy Award for Best Traditional Blues Album. The album was also released on a DVD-Audio in higher resolution and with a 5.1 surround sound mix.

Track List :
# "Riding with the King" (John Hiatt) – 4:23
# "Ten Long Years" (B. B. King/Jules Taub) – 4:40
# "Key to the Highway" (Big Bill Broonzy/Charles Segar) – 3:39
# "Marry You" (Doyle Bramhall II/Susannah Melvoin/Craig Ross/Charles Segar) – 4:59
# "Three O'Clock Blues" (King/Taub) – 8:36
# "Help the Poor" (Charles Singleton) – 5:06
# "I Wanna Be" (Bramhall, Charlie Sexton) – 4:45
# "Worried Life Blues" (Big Maceo Merriweather) – 4:25
# "Days of Old" (Jules Bihari, King) – 3:00
# "When My Heart Beats Like a Hammer" (King/Taub) – 7:09
# "Hold On, I'm Comin'" (Isaac Hayes/David Porter) – 6:20
# "Come Rain or Come Shine" (Harold Arlen/Johnny Mercer) – 4:11

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Lonnie Mack - Strike Like Lightning (1985)

Co-produced by Stevie Ray Vaughn, this was Lonnie's ticket back to the show after a few years on the sidelines. To say it was an inspired date would be putting it mildly. With his batteries recharged, Mack was in peak form, playing and singing better than ever. A major highlight is an inspired duet between Stevie and Lonnie on "Wham (Double Whammy)," going toe to toe for several exciting choruses.

Track list :
1. Hound Dog Man
2. Satisfy Suzie
3. Stop
4. Long Way from Memphis
5. Double Whammy
6. Strike Like Lightning
7. Falling Back in Love With You
8. If You Have to Know
9. You Ain't Got Me
10. Oreo Cookie Blues

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Howlin' Wolf - Best of (Chess - the genuine article)

Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known as Howlin' Wolf, was an influential American blues singer, guitarist and harmonica player.

With a booming voice and looming physical presence, Burnett is commonly ranked among the leading performers in electric blues; musician and critic Cub Koda declared, "no one could match [Howlin' Wolf] for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits."[1] Many songs popularized by Burnett—such as "Smokestack Lightnin'," "Back Door Man" and "Spoonful"—have become standards of blues and blues rock.

At 6 feet, 6 inches (198 cm) and close to 300 pounds (136 kg), he was an imposing presence with one of the loudest and most memorable voices of all the "classic" 1950s Chicago blues singers. Howlin' Wolf's voice has been compared to "the sound of heavy machinery operating on a gravel road". Although the two were reportedly not that different in actual personality, this rough edged, slightly fearsome musical style is often contrasted with the less crude but still powerful presentation of his contemporary and professional rival, Muddy Waters, to describe the two pillars of the Chicago Blues representing the music.

Howlin' Wolf, Sonny Boy Williamson (Rice Miller), Little Walter Jacobs and Muddy Waters are usually regarded in retrospect as the greatest blues artists who recorded for Chess in Chicago. Sam Phillips once remarked of Chester Arthur Burnett, "When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies.' " In 2004, Rolling Stone Magazine ranked him #51 on their list of the 100 Greatest Artists of All Time.

Track list :
1. Moanin' At Midnight
2. How Many More Years
3. I'm The Wolf
4. Baby How Long
5. Evil (Is Going On)
6. Forty Four
7. Smokestack Lightnin'
8. I Asked For Water
9. The Natchez Burnin'
10. Who's Been Talkin'
11. Sittin' On Top Of The World
12. I've Been Abused
13. Howlin' For My Baby
14. Wang Dang Doodle
15. Back Door Man
16. Spoonful
17. Down In The Bottom
18. The Red Rooster
19. I Ain't Superstitious
20. Goin' Down Slow
21. 300 Pounds Of Joy
22. Killing Floor
23. Dust My Broom
24. Ain't Goin' Down That Dirt Road
25. The Red Rooster

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Jimi Hendrix and BB King - The King's Jam (1968-04-15) - Rare Collection

Jimi with B.B. King on guitar and vocals, Elvin Bishop on guitar and vocals, Paul Butterfield on harmonica, Al Kooper on organ, Buzzy Feiten on bass, Don Martin on guitar, Phillip Wilson ondrums and Stewart (surname unknown) on piano, private recording from reels 3 and 4; 120 minutes, excellent quality (1-4)

Straight from the CD "Jimi Hendrix and BB King - The King's Jam" on Klondyke records at 128/44

TRT: 64:40
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http://www.me.umn.edu/~kgeisler/K.html
The King's Jam
Jimi Hendrix with BB King and the Paul Butterfield Blues Band
Klondike Records
(recorded 4/68 at Generation Club, NYC)

Paul Butterfield wails on harp! Also has Al Kooper on organ. Jimi and BB
hold back - virtually no interplay between them. This is NOT the same as
Blues at Midnight. I personally did not care for it - but someone who was
both a hard core Jimi & BB fan might want to hear them on the same stage.
The sound quality is pretty good.

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